2020
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2020
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2020
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2020 • 2020 • 2020 •
Bloons - 1 of 1 - 10.13.2020
Rips - 1 of 1 - 10.17.2020
FRGS - 1 of 1 - 10.21.2020
Puzzles - 1 of 1 - 10.27.2020
Clout Machine - 1 of 1 - 11.6.2020
Last Stand of The Nation State - ed of 415 - 11.6.2020
Mona Sativa - ed of 69 - 11.6.2020

Mona Corona - 1 of 1 - 11.6.2020
It Comes in Waves - 1 of 1 - 12.6.2020
2021
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2021
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2021
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2021 • 2021 • 2021 •
Banned From The Internet
Nifty Gateway - 1.6.2021
The Banned From the Internet series began as a creative cat-and-mouse game at the dawn of the Instagram algorithm. Like other social platforms, Instagram enforces strict community guidelines that suppress explicit content. Sophisticated algorithms now scan, flag, and remove anything that crosses those lines, often within seconds.
Slimesunday set out to outsmart them. Through meticulous collage work, he merged nudity with everyday objects, natural landscapes, and layered textures, creating images that slipped past automated detection for years. The result was a subversive visual language. Equal parts camouflage and commentary that thrived in plain sight.
Recently, however, these algorithms have caught up. Slimesunday’s work has been flagged, removed, and erased across platforms. To preserve these pieces in their original form, the Banned From the Internet collection has been resurrected, this time secured and immortalized on chain through Nifty Gateway.
Roads - 1 of 1 - 1.6.2021
Like Machine Part One - 1 of 1 - 1.6.2021
Like Machine Part Two - 1 of 1 - 1.6.2021
Modern Renaissance - 1 of 1 - 1.6.2021
Ode to Godward - 1 of 1 - 1.6.2021
More Rips - 1 of 1 - 1.6.2021
Overheating - 1 of 1 - 1.6.2021
Cracked - 1 of 1 - 1.6.2021
Home Alone - 1 of 1 - 1.6.2021
Roads Part Two - 1 of 1 - 1.6.2021
SCRBLS - 1 of 1 - 1.6.2021
Somewhere in Morocco - 1 of 1 - 1.6.2021
Up - 1 of 1 - 1.6.2021
Golden Gate - 1 of 1 - 1.6.2021
A Note from the IG Team - 1 of 1 - 1.6.2021
RNBWS - 1 of 1 - 1.6.2021
2021
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2021
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2021
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2021 • 2021 • 2021 •
2021
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2021
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2021
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2021 • 2021 • 2021 •
Playboy X Slimesunday
Nifty Gateway - 5.4.2021
Project Credits
Slimesunday: Slimesunday, Taren Smith, Devin Dube, Jori Teplitzky
Nifty: Ashley Ramos, Cortney Snyder, Miguel Romero, Carolyn Vadino, Tommy Kimmelman
Playboy: Liz Suman, Rachel Webber, Christie Hartmann, Amy Kastner-Drown, Jamal Dauda, Zach Glass, Fiona Maynard, Kathy Conrad, Chris Riley, Ralph Faust, Terren Lin, Yasmin Coutinho, Andie Eisen, Helen Sibila, Bing Zhang, Tori Adams, Kate O’Brien, Lily Ferguson, Claire Gustavson, Joe Burger, Tom Punch, Tania Staykova, Ian Wallace
2021
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2021
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2021
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2021 • 2021 • 2021 •
What the Fork
Phillips Auction House - 8.10.2021
Slimesunday continues to explore themes of sexism, consumerism, and censorship in his new collection “What The Fork?”. This body of work marks a significant moment in Slimesunday’s art practice because for the first time he has curated and directed a photoshoot to produce the original images for his collages with photographer Jordan Knight. The female form has been central to art for centuries, inspiring the greatest artists of our time, but even now women sharing photos of their own bodies on social media are considered too provocative. The female anatomy has always been controlled by society leading to repression and a lack of bodily autonomy on the basis that a nude woman can only be viewed from a sexual perspective due to social conditioning. Slimesunday’s work counteracts this narrative by presenting the women as art themselves. 17 different women, along with Slimesunday, have come together to create a collection that celebrates female form and asks the viewer to question their own discomfort with the pieces.
2022
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2022
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2022
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2022 • 2022 • 2022 •
If you’ve scrolled this far, holy shit. 2021 was a wild ride. Web-3 was utter chaos in the best and worst ways, and I was right in the center of it.
I can’t remember another time in my life where I produced so much work under so much pressure, in so little time. By the end of the year, I was sitting on my couch thinking, WTF just happened? I was exhausted and in the midst of a total burn out.
I was creating like a machine, riding a wave that was both incredibly rewarding and completely overwhelming. For the first time in my life, I was able to quit my job working night shifts on the ambulance. That alone felt surreal. But I also knew one thing for sure: I couldn’t survive another round at that pace.
On to 2022…
DUN3S - 1 of 1 - 1-.10.2022